Mixing and Mastering
Monday, 18 May 2009 13:46
Audiotutorials -
Mixing and Mastering
Tutorial"Compressors and limiters are specialized amplifiers used to reduce dynamic range–the span between the softest and loudest sounds. All sound sources have different dynamic ranges or peak-to-average proportions. An alto flute produces a tone with only about a 3dB difference between the peak level and the average level. The human voice (depending on the particular person) has a 10dB dynamic range, while a plucked or percussive instrument may have a 15dB or more difference. Our own ears, by way of complex physiological processes, do a fine job of compressing by responding to roughly the average loudness of a sound. Good compressor design includes a detector circuit that emulates the human ear by responding to average signal levels. Even better compressor designs also have a second detector that responds to peak signal levels and can be adjusted to clamp peaks that occur at a specific level above the average signal level. " Add comment (0)
Thursday, 30 April 2009 10:02
Audiotutorials -
Mixing and Mastering

More synth and gear wallpapers coming soon - watch this space! DownloadAdd comment (1)
Thursday, 16 April 2009 00:10
Audiotutorials -
Mixing and Mastering
When you’re mixing a track, you might sometimes notice that you can’t find a satisfactory pan-position for an instrument. It might be that your mix is busy and thus challenging to balance, or perhaps you are using a variety of instruments that need to be panned center and thus will mask anything else that is panned to the same position. There is an alternative to straightforward panning which mixing guru Roey Izhaki calls “the Haas trick,” although everyone that uses this technique will inevitably have their own name for it.Add comment (0)
Read more: Mixing Technique - The Haas Trick + Ableton Live Rack Download
Wednesday, 07 March 2007 03:40
Audiotutorials -
Mixing and Mastering
If you’ve ever seen a recording artist interviewed in a studio, chances are that he or she was leaning on a mixing desk. You can’t fail to notice the mixer in a studio, they’re the big things with hundreds of knobs and loads of faders on. But what is it they do?
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Thursday, 10 August 2006 02:15
Audiotutorials -
Mixing and Mastering
There are very few absolute "Rights and Wrongs" when it comes to EQ.
Basically, if it sounds good to you, it's right. There are some generally
accepted thoughts on the matter though, so we'll go over some of them as
starting points. One generally accepted thought is that most vocal mics
are very midrange heavy. Typically a cut in the midrange along with a
slight boost of the bass and treble frequencies can compensate for this.
Now remember, every voice is different, so don't just set every vocal mic
in your system to one setting and go. You have to listen to the individual
characteristics of each voice. If someone has a deep, booming voice you
may find yourself cutting the bass and boosting the mids and highs.
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